Short Story and Film Script.
On March 3rd 1960, Elvis Presley landed for a few hours at Prestwick Airport, Scotland on his way home from Germany. It was the only time he ever visited the UK.
He is still playing with his hair and listening to the radio when his mother kicks the door open.
“You haven’t heard a word I’ve said Jimmy. Get to work - those animals won’t cut themselves up.”
And just like every other day, she follows the kicking of the door with rushing down the stairs and then leaving the house, and just like every other day in a now empty home, Jimmy turns up the radio volume to maximum.
“There is a large crowd here to watch Elvis wave goodbye to his 16 year old girlfriend, Priscilla Beaulieu” says an excited radio announcer.
Elvis, the man, the god, the father, son and holy-ghost is leaving Germany and flying back to the States. His time in the army is over and he’s going home to make more records, to make more movies and continue dating the daughter of a soldier he’s met in a club. Elvis and Priscilla have only been seeing each other for six weeks but Jimmy and Susan have been going strong now for a full three months.
Across the street from Jimmy’s place, in one of the newer bungalows, Mister Andrews stares out of the window. Neither happy nor sad, he watches as Jimmy’s mother passes by and in a friendly manner he slowly raises a hand to wave but she looks straight ahead and disappears around the corner.
“There goes Mrs Baker, always in a hurry. I tell you what Brenda love, it’s such a beautiful day I think I’ll wash the car.”
Mister Andrew smiles to himself because he’s made a decision about something and that pleases him. Across the street he can see that nice young girl hurrying to Jimmy’s front door.
Susan is agitated as she pushes her spectacles up her nose and rapidly knocks on the door. She can hear the music from Jimmy’s room above, so she steps back and enthusiastically waves to him but Jimmy just smiles and continues with sorting his hair. Susan tries another method by banging and kicking the front door, this time it brings Jimmy downstairs. As he opens his door, he’s caught between saying ‘where’s the fire’ and leaning forward to kiss her but Susan just rushes straight passed him and into the small kitchen.
Most of the time Jimmy’s mother has to work double shifts, so Susan has gotten to know where everything is located.
“Mum’s already made up my lunch.”
“You’re not going to work, not today” says Susan without raising her head.
“I’m not? So what am I doing then, eloping?”
“That’s not funny”. She’s already wrapped up the first sandwiches in a brown bag and hands them to Jimmy.
Jimmy knows what will happen if he doesn’t turn up for work today; he’s already been late three days running.
“Well, I’ll just go and see him myself then, shall I?” and Susan kisses Jimmy on the cheek and leaves the room. Jimmy, forever the lost boy, follows her out, “Who, for crying out loud, are you going to see?”
Across the street Mister Andrews is already washing his car in the March sunshine and even he stops when he hears Jimmy shout out ‘Elvis Presley’ quickly followed by a hooting noise. Dogs bark, birds scatter – it seems the whole of the town has just heard.
A few minutes later and Mister Andrews stands back and admires his handy work as he lets the car dry in the sun. Just up the street a touch, Jimmy and Susan are hiding behind a wall. Jimmy wants to know where Susan got the information about Elvis and she tells him from her father who is a baggage handler at Prestwick airport. He’s heard that Elvis’ plane is to land in the west of Scotland to refuel.
“But you better get here quick” was her father’s parting words.
Jimmy asks "if she's sure her father is telling the truth?" and she says that he has sworn on her Mum’s life and that is good enough for her and it should be good enough for him too. Then she tells him about her plan, the one where they borrow Mister Andrews’ car.
“It’s not stealing if we’re going to bring it back”.
Mister Andrews is at that stage where he’s proudly polishing his pride and joy. He takes a step back, sees another blemish and continues rubbing. Susan rushes up and asks him if she can "please, please, please use his toilet". He’s not happy about this turn of events, but she seems so desperate and Jimmy and his family have already gone to work. Mister Andrews says it’s okay but she has to take her shoes off before entering the house. He follows her in, dusting any part of the wall or furniture she may have accidentally rubbed against; he doesn’t want to seem fussy but he knows he probably is. He stands outside the toilet door but feels it may look a little weird and so he moves down the hall a few steps.
Mister Andrews doesn’t hear the sound of the car horn the first time around but Susan does. She’s been waiting on it. She rockets out of the toilet handing back Mister Andrews one of his towels then shooting out through the front door. Shocked at first, it takes the second car horn for Mister Andrew to realise what’s going on. He, too, rushes out his house but just in time to see his car, the girl and Jimmy from across the street driving it away. Well maybe driving is an exaggeration; they are more pointing the car and making it hiccup along the road.
“Oh dear - oh dear, oh dear, oh dear” says Mister Andrews as he wanders back into his home.
“I’ve just stolen a car”, declares Jimmy.
“Borrowed” Susan adds “and I’ve just left my shoes back there”.
Standing once more at his window, Mister Andrews is worried about to what to do next. This wasn’t meant to happen, you make a decision and things shouldn’t deviate, but deviate, they have.
“They’ve taken the car Brenda love, do you think I should telephone the police?”
Mister Andrews whispers, “oh dear, oh dear, oh dear” then adds, “You’re probably right Brenda love, you always are.”
Jimmy knows the only way to get to the airport in time to see The King is to use the village High Street but just as he turns in to the road, Susan spots Jimmy’s mother and Jimmy’s boss talking to each other outside the butcher’s shop. That is why Jimmy’s mother sees an empty car driving past her along the High Street, Susan and Jimmy are well hidden.
“Isn’t that Mister Andrew’s car?”
She soon dismisses what she thinks she’s seen and continues with her conversation.
At the other end of the High Street where it turns into Observatory Road, old Webster and Hamish are in the village garage. It’s tea break time and this involves looking out the window while dunking their biscuits in their cracked cups. Old Webster checks with Hamish that he’s also just seen Mister Andrew’s car passing driver-less and sure enough he has.
“Mighty me” says old Webster as he picks up the telephone, intending to call the police.
Five minutes later, ten at the most, a policeman appears in front of Jimmy’s car with his hand raised in the 'stop' position. I suppose if there are people reading this in later years and are wondering why a policeman would do such a thing, well in March 1960 in the United Kingdom, people still obeyed the law.
Except Jimmy and Susan drive straight on, causing the constable to have to jump out of the way in order to save his life.
It is only as the car crawls to the top of the hill and disappears over the other side, that the screaming starts. Mister Andrews may have had a clean car but the brakes aren’t of any use for stopping. Twice Jimmy bashes his head on the roof as these are the days before seat belts and such like.
Luckily as they shoot across the main road and into the airport they fail to hit anything and come to rest in a ploughed field at the side of the runway. Jimmy and Susan sit for a second to catch their breaths and then undeterred by the lack of Susan’s shoes, they run towards the airport reception.
“Ow, ow, ow” as Susan steps on every rock possible, Jimmy suggests she takes his shoes and although they are a whole lot larger, she finds it really does stop the pain.
It will be worth it in a minute when they get to the reception, she thinks to herself, except when they get there, the hall is empty, that is except for the rubbish scattered everywhere. An old man slides back a dirty glass partition.
“If you’re here to see that Mister Elvis fellow, then you’re too late. He’s been and he’s gone and it’s me who’s going to have to clean this mess up. Do you know what he said?”
Apparently Elvis had asked where he was, which caused the old man much laughter and mirth, so the old man felt he had to put Elvis right and tell him he was in Scotland.
“Where am I? What kind of question is that for a grown man?”
So that’s that. Who knows when Elvis will pass this way again? And with shoulders slumped, Jimmy and Susan leave the building only for the old man to call after them that he’s heard that
Elvis was going up to that local cafe. There is a god.
To call the Brigadoon Tearooms anything but an old hut would be a kindness, except Susan is sure she can hear Elvis singing inside. Her heart begins to palpitate but Jimmy is only worried about avoiding sharp things on the ground since he’s walking in bare feet. He doesn’t notice Susan run ahead, storm the Brigadoon Tearooms and shout “Marry me Elvis”. He hears her the second time ‘though.
“What do you mean he’s gone?” Susan is almost crying as the jukebox plays on.
“Oh he was dreamy, wouldn’t take his cap off ‘though – ‘no Mam, I can’t do that’” says a giggling girl who had also wanted to marry Elvis.
Susan is talking to a girl who has talked to Elvis and it hurts.
As it grows dark, Jimmy and Susan haven’t spoken to each other for a few hours now. The only communication they have had is when Jimmy takes his shoes back.
“You would have run off with him to America - and married him”
Susan has no defence and simply says “I would have invited you to the wedding”
Jimmy is just about to take his turn at crying when a car turns up beside them. It’s Mister Andrews in his borrowed car and he rolls down the window.
“I brought you these, they’re Susan’s shoes. Hop in and I’ll drive you both home. You can tell me all about it on the way”
Susan puts on her shoes then asks Jimmy if he’s coming.
The next day is a glorious one as Mister Andrews stands by the fireplace.
“You’re looking a little grubby today, Brenda love” and Mister Andrews polishes the urn that keeps Brenda's ashes safe. Once she’s gleaming, he turns satisfied to look out the window again.
“Now you’re ready to face the world”
Jimmy’s mother comes out of her door and crosses the street towards Mister Andrews’ house. For the first time ever she waves to him and he waves back.
Mister Andrews smiles.
2. The Short Film Script
This is a short script and just a bit of silliness.
On March 3rd 1960, Elvis Presley landed, for a few
hours, at Prestwick Airport on his way home from Germany. It
was the only time he ever visited the UK.
hours, at Prestwick Airport on his way home from Germany. It
was the only time he ever visited the UK.
1 BLACK SCREEN 1
INTRO MUSIC: “Well, since my baby left me,
I found a new place to dwell.
It’s down at the end of lonely street
At heartbreak hotel.”HEARTBREAK HOTEL
I found a new place to dwell.
It’s down at the end of lonely street
At heartbreak hotel.”HEARTBREAK HOTEL
RADIO REPORTER (V.O.)
And here we are at Frankfurt
airport as Elvis Presley boards the
plane that is to take him home to
the US.
And here we are at Frankfurt
airport as Elvis Presley boards the
plane that is to take him home to
the US.
FADE IN:
2 INT. SAMMY’S BEDROOM – DAY 2
RADIO REPORTER (V.O.)
There is a large crowd here to
watch Elvis wave goodbye to his 16
year old girlfriend, Priscilla
Beaulieu.
2 INT. SAMMY’S BEDROOM – DAY 2
RADIO REPORTER (V.O.)
There is a large crowd here to
watch Elvis wave goodbye to his 16
year old girlfriend, Priscilla
Beaulieu.
Going around the room: a beat up guitar sits in the corner
and a photo of Elvis placed up against some magazines.
and a photo of Elvis placed up against some magazines.
RADIO REPORTER (V.O.) (CONT’D)
Elvis was quoted as saying ‘I
haven’t seen much of Germany’
Elvis was quoted as saying ‘I
haven’t seen much of Germany’
A calendar displaying ‘March,1960’.
RADIO REPORTER (V.O.) (CONT’D)
‘And I’m sure going to miss
Priscilla. She’s real cute and
she’s very mature for her age.
‘And I’m sure going to miss
Priscilla. She’s real cute and
she’s very mature for her age.
A HAND in a Brylcreem Tub. Stop at a mirror of SAMMY, 16,
adjusting his quiff (a tuft of hair) with a comb. He looks
cool and he knows it.
adjusting his quiff (a tuft of hair) with a comb. He looks
cool and he knows it.
RADIO REPORTER (V.O.) (CONT’D)
Apparently Elvis and Priscilla have
only been going out six weeks.
Apparently Elvis and Priscilla have
only been going out six weeks.
A HAND switches off the radio. It’s SAMMY’S MOTHER.
SAMMY’S MOTHER
You haven’t heard a word I’ve said
Sammy. Get to work, those animals
won’t cut themselves up.
You haven’t heard a word I’ve said
Sammy. Get to work, those animals
won’t cut themselves up.
She storms out the room. Sammy doesn’t care, he’s got his
quiff to love. Front door CLOSING. Sammy’s POV of HIS MOTHER
walking out through their garden.
quiff to love. Front door CLOSING. Sammy’s POV of HIS MOTHER
walking out through their garden.
3 INT. MISTER ANDREWS’ LOUNGE – DAY 3
MISTER ANDREWS, sixties, stares out the window and is talking
to BRENDA ,off screen. Through the window is Sammy’s Mother
walking across the street. As she passes Mister Andrews’
window, he smiles with a half hearted wave.
MISTER ANDREWS, sixties, stares out the window and is talking
to BRENDA ,off screen. Through the window is Sammy’s Mother
walking across the street. As she passes Mister Andrews’
window, he smiles with a half hearted wave.
MISTER ANDREWS
There goes Mrs McMillan.
There goes Mrs McMillan.
Mrs McMillan does not react.
MISTER ANDREWS (CONT’D)
I tell you what, Brenda love,it’s
such a lovely day, I think I’ll
wash the car.
I tell you what, Brenda love,it’s
such a lovely day, I think I’ll
wash the car.
Through the window ,FIONA, 16, Sammy’s girlfriend, walks up
to Sammy’s front door across the street.
to Sammy’s front door across the street.
4 EXT. SAMMY’S FRONT DOOR – DAY 4
Fiona, pushing her spectacles up her nose, KNOCKS the door.
She is agitated and appears to be in a hurry.
Fiona, pushing her spectacles up her nose, KNOCKS the door.
She is agitated and appears to be in a hurry.
FIONA
Come on.
Come on.
Fiona takes a few steps back and looks up at Sammy’s bedroom
window. He smiles down while still playing with his quiff.
window. He smiles down while still playing with his quiff.
5 INT. SAMMY’S HALL – DAY 5
Sammy opens the door. He leans towards Fiona to give her a
kiss. She ignores him and walks through the hall.
Sammy opens the door. He leans towards Fiona to give her a
kiss. She ignores him and walks through the hall.
6 INT. SAMMY’S KITCHEN – DAY 6
Fiona knows this kitchen and where everything is. Sammy tries
to cuddle up to her but she pushes him back – she is too busy
getting the ingredients together to make sandwiches.
Fiona knows this kitchen and where everything is. Sammy tries
to cuddle up to her but she pushes him back – she is too busy
getting the ingredients together to make sandwiches.
SAMMY
What are you doing?
What are you doing?
FIONA
We’re going to need these. I’ve no
idea how long we’ll be waiting. So
I need you to brew up a flask of
tea.
We’re going to need these. I’ve no
idea how long we’ll be waiting. So
I need you to brew up a flask of
tea.
SAMMY
I’ve got to go to work.
I’ve got to go to work.
FIONA
Okay, then I’ll go and see him
myself.
Okay, then I’ll go and see him
myself.
All this time, Sammy is following Fiona around the room.
SAMMY
Who? For crying out loud, who?
Who? For crying out loud, who?
7 EXT. SAMMY’S HOUSE – DAY 7
The front of the house – quiet , sedate then..
The front of the house – quiet , sedate then..
SAMMY (O.S.)
ELVIS PRESLEY!
ELVIS PRESLEY!
A couple of birds fly off and a few distant dogs start
BARKING.
BARKING.
8 EXT. THE STREET – DAY 8
No one is in the street, except Mister Andrews washing his
car. Fiona and Sammy are hiding behind a wall and whispering.
No one is in the street, except Mister Andrews washing his
car. Fiona and Sammy are hiding behind a wall and whispering.
SAMMY
So how do you know he’s not lying?
So how do you know he’s not lying?
FIONA
Because he swore on Mum’s life.
Because he swore on Mum’s life.
SAMMY
How do we get to Prestwick airport?
How do we get to Prestwick airport?
FIONA
Why do you think I brought you out
here?
Why do you think I brought you out
here?
SAMMY
No idea.
No idea.
FIONA
They’ll never say I love you for
your brains.
They’ll never say I love you for
your brains.
SAMMY
You love me?
You love me?
FIONA
Shh. The car. Mister Andrews’ car.
Shh. The car. Mister Andrews’ car.
SAMMY
What about it?
What about it?
9 EXT. FRONT OF MISTER ANDREWS’ HOUSE – DAY 9
Fiona is on her own as she approaches Mister Andrews. He is
cleaning the car with a religious fever. She carries the bag
with the tea and sandwiches.
Fiona is on her own as she approaches Mister Andrews. He is
cleaning the car with a religious fever. She carries the bag
with the tea and sandwiches.
MISTER ANDREWS
Can I help you, Fiona?
Can I help you, Fiona?
FIONA
Mister Andrews, I wondered if maybe
I could use your bathroom.
Mister Andrews, I wondered if maybe
I could use your bathroom.
MISTER ANDREWS
I’m a bit busy Fiona, can you not
use your…you know, your friend’s
place?
I’m a bit busy Fiona, can you not
use your…you know, your friend’s
place?
FIONA
They’re all out and I’m desperate
Mister Andrews.
They’re all out and I’m desperate
Mister Andrews.
MISTER ANDREWS
I suppose so. Follow me.
I suppose so. Follow me.
Fiona follows. Mister Andrews stops – suddenly.
MISTER ANDREWS (CONT’D)
And don’t touch anything.
They continue. He stops again.
And don’t touch anything.
They continue. He stops again.
MISTER ANDREWS (CONT’D)
And don’t rub against any walls.
He’s about to start off again, but stops.
And don’t rub against any walls.
He’s about to start off again, but stops.
MISTER ANDREWS (CONT’D)
And wash your hands. And take your
shoes off before you go in the
house.
And wash your hands. And take your
shoes off before you go in the
house.
Fiona slips her shoes off, leaves he bag down, then she and
Mister Andrews enter the house. Sammy appears from behind a
bush. He crawls around to the road side of the car. His hand
reaches up and opens the car door. Keeping low, he checks the
ignition. The key is there. Yes!
Mister Andrews enter the house. Sammy appears from behind a
bush. He crawls around to the road side of the car. His hand
reaches up and opens the car door. Keeping low, he checks the
ignition. The key is there. Yes!
10 INT. MISTER ANDREWS’ HALL – DAY 10Mister Andrews’ face shows panic. He is uncomfortable with
visitors. Fiona is in the loo and Mister Andrews is hovering
expectantly outside the door; unconsciously dusting. Maybe
he’s worried that she’ll run off with the bathroom fittings.
visitors. Fiona is in the loo and Mister Andrews is hovering
expectantly outside the door; unconsciously dusting. Maybe
he’s worried that she’ll run off with the bathroom fittings.
11 INT. MISTER ANDREWS’ HALL – DAY 11
The CAR HORN is sounding. The bathroom door opens and Fiona
bursts out. She’s still drying her hands – she passes the
towel to a perplexed Mister Andrews and exits.
More CAR HORN then Mister Andrews catches on. He runs after
her.
The CAR HORN is sounding. The bathroom door opens and Fiona
bursts out. She’s still drying her hands – she passes the
towel to a perplexed Mister Andrews and exits.
More CAR HORN then Mister Andrews catches on. He runs after
her.
12 EXT. FRONT OF MISTER ANDREWS’ HOUSE – DAY 12
Sammy leans over and opens the passenger door. Fiona is
running towards the car that is starting to move.
Sammy leans over and opens the passenger door. Fiona is
running towards the car that is starting to move.
SAMMY
Hurry up!
Hurry up!
Fiona is closely pursued by Mister Andrews. She jumps in the
car just in the nick of time.
car just in the nick of time.
The car kangaroos away and each time it looks as if Mister
Andrews will jump on top of it.
Eventually the car speeds off.
Andrews will jump on top of it.
Eventually the car speeds off.
SAMMY (CONT’D)
I’ve just stolen a car.
I’ve just stolen a car.
FIONA
And I’ve left my shoes back there.
And I’ve left my shoes back there.
The car disappears into the distance with Mister Andrews
standing in the road with nothing to polish.
standing in the road with nothing to polish.
FIONA (O.S.)(CONT’D)
And the tea and sandwiches.
And the tea and sandwiches.
13 INT. MISTER ANDREWS’ HALL – DAY 13
Mister Andrews picks up his telephone.
Mister Andrews picks up his telephone.
MISTER ANDREWS
They’ve taken the car Brenda. Do
you think I should phone the
police?
They’ve taken the car Brenda. Do
you think I should phone the
police?
Mister Andrews thinks about it, then puts the telephone down.
MISTER ANDREWS (CONT’D)
You’re probably right Brenda love,
you always are.
You’re probably right Brenda love,
you always are.
14 EXT. HIGH STREET – DAY 14
The High Street has a few SHOPPERS. Fiona spies Sammy’s
mother talking to Sammy’s employer – the town BUTCHER.
The High Street has a few SHOPPERS. Fiona spies Sammy’s
mother talking to Sammy’s employer – the town BUTCHER.
CAR
FIONA
Duck.
Duck.
SAMMY
What?
What?
FIONA
Your Mother is talking to your
boss.
Your Mother is talking to your
boss.
Sammy and Fiona duck down.
CAR
Sammy’s mother stops to wave to Mister Andrews in his car,
but the car is going forwards with no one in it. She pauses,
thinks she must be seeing things, then continues talking to
the butcher.
As the car leaves the town, Fiona and Sammy sit up.
Sammy’s mother stops to wave to Mister Andrews in his car,
but the car is going forwards with no one in it. She pauses,
thinks she must be seeing things, then continues talking to
the butcher.
As the car leaves the town, Fiona and Sammy sit up.
15 INT. MISTER WEBSTER’S OFFICE – DAY 15
MISTER WEBSTER and HAMISH are having their tea break which
always involves looking out of their window.
Mister Webster (or ‘Nosey’ as he’s known in town) sees the
car passing the window
MISTER WEBSTER and HAMISH are having their tea break which
always involves looking out of their window.
Mister Webster (or ‘Nosey’ as he’s known in town) sees the
car passing the window
WEBSTER
I’d swear that was Andrews’ wee
Morris Minor. What do you think
Hamish?
I’d swear that was Andrews’ wee
Morris Minor. What do you think
Hamish?
Hamish is not the sharpest knife in the drawer. Both he and
Webster are drinking cups of tea at exactly the same time -
in a synchronised style.
Webster are drinking cups of tea at exactly the same time -
in a synchronised style.
HAMISH
Yes.
Yes.
WEBSTER
And I don’t think that’s Mister
Andrews driving. What do you think
Hamish?
And I don’t think that’s Mister
Andrews driving. What do you think
Hamish?
HAMISH
No.
No.
WEBSTER
I think I’ll call the Police
Station. What do you think Hamish?
I think I’ll call the Police
Station. What do you think Hamish?
HAMISH
Yes.
Yes.
WEBSTER
You’re a good man, Hamish.
You’re a good man, Hamish.
16 EXT. COUNTRY ROAD – DAY 16
Sammy and Fiona in the car and without a care. They turn the
corner and there is a police road block.
There is only one POLICEMAN. He stands with his hand up for
them to halt (this is 1960 after all).
Sammy and Fiona in the car and without a care. They turn the
corner and there is a police road block.
There is only one POLICEMAN. He stands with his hand up for
them to halt (this is 1960 after all).
CAR
SAMMY
What do I do?
What do I do?
The car makes a sudden turn to the right, almost on two
wheels. The policeman runs back to his car and gives chase.
The road becomes a lane. The lane becomes a dirt track. The
dirt track runs out and we are on grass.
wheels. The policeman runs back to his car and gives chase.
The road becomes a lane. The lane becomes a dirt track. The
dirt track runs out and we are on grass.
Fiona and Sammy are bouncing up and down.
HILL
The police car in pursuit. The Morris Minor struggles to get
up to the top of the hill, but it’s still doing better than
the police car which gives up. The Morris Minor rocks at the
top of the hill.
The police car in pursuit. The Morris Minor struggles to get
up to the top of the hill, but it’s still doing better than
the police car which gives up. The Morris Minor rocks at the
top of the hill.
17 INT. MISTER ANDREWS’ LOUNGE – DAY 17
Mister Andrews has returned to staring out the window. It
seems to be a way of life in these parts.
Mister Andrews has returned to staring out the window. It
seems to be a way of life in these parts.
MISTER ANDREWS
I wonder if I should have warned
those two about the brakes, Brenda?
I wonder if I should have warned
those two about the brakes, Brenda?
18 EXT. HILL – DAY 18
SCREAMS – the Morris Minor careering down the hill. Straight
across the main road and into the airport. That’s handy.
SCREAMS – the Morris Minor careering down the hill. Straight
across the main road and into the airport. That’s handy.
19 INT. AIRPORT HANGAR – DAY 19
Fiona and Sammy run into the hangar. They are exhausted but
in a few minutes it’s all going to be worth it. Fiona has no
shoes and keeps yelling at the pain.
All that is blowing though this place is dropped rubbish from
earlier. There is an OLD MAN behind a sliding window.
Fiona and Sammy run into the hangar. They are exhausted but
in a few minutes it’s all going to be worth it. Fiona has no
shoes and keeps yelling at the pain.
All that is blowing though this place is dropped rubbish from
earlier. There is an OLD MAN behind a sliding window.
SAMMY
(to Fiona)
Have we got the wrong place?
(to Fiona)
Have we got the wrong place?
Fiona gives Sammy that ‘don’t be so stupid’ look. Fiona
knocks the window. The old man is pouring out tea from his
flask while eating a large sandwich.
knocks the window. The old man is pouring out tea from his
flask while eating a large sandwich.
OLD MAN
If you’re here to see Mister Elvis
Presley, then you’re too late.
Been and gone and it’s me that’s
going to have to clean up this
mess. Do you know what that eejit
said? He said ,’Where am I?’. Would
you credit it? ‘Where am I?’.
Bloody Scotland, that’s where!
If you’re here to see Mister Elvis
Presley, then you’re too late.
Been and gone and it’s me that’s
going to have to clean up this
mess. Do you know what that eejit
said? He said ,’Where am I?’. Would
you credit it? ‘Where am I?’.
Bloody Scotland, that’s where!
Dejected, Fiona and Sammy start to leave.
OLD MAN (CONT’D)
I think they said he was going to
that teenage club of rascals, up
the road, if that’s any help.
I think they said he was going to
that teenage club of rascals, up
the road, if that’s any help.
There is a God.
20 EXT. TEENAGE CLUB – DUSK 20
A Scout hut. Music and lights from the inside. An ELVIS
RECORD is PLAYING. Some TEENAGERS sit outside. A farm truck
stops. Fiona and Sammy are sitting on the back. They jump off
and run to the teenagers.
A Scout hut. Music and lights from the inside. An ELVIS
RECORD is PLAYING. Some TEENAGERS sit outside. A farm truck
stops. Fiona and Sammy are sitting on the back. They jump off
and run to the teenagers.
FIONA
Is he here?
Is he here?
TEENAGE GIRL 1
Gone. But he was dreamy.
Gone. But he was dreamy.
TEENAGE GIRL 2
Oh, he was dreamy all right.
Wouldn’t take his hat off, though.
Oh, he was dreamy all right.
Wouldn’t take his hat off, though.
TEENAGE GIRL 1
(bad American accent)
“I’m sorry Ma’am, I can’t take it
off, ma’am”.
(bad American accent)
“I’m sorry Ma’am, I can’t take it
off, ma’am”.
The two girls kill themselves laughing. Fiona starts
SCREAMING. The teenage girls run off.
SCREAMING. The teenage girls run off.
SAMMY
Now I see, you would have run off
with him. To America. And left me.
Now I see, you would have run off
with him. To America. And left me.
Fiona calms down, slumps on the steps and looks sheepishly at
Sammy.
Sammy.
FIONA
I would have invited you to the
wedding.
I would have invited you to the
wedding.
21 EXT. ROAD – DUSK 21
It’s almost dark. Fiona and Sammy are sitting apart by the
side of the road. The Morris Minor stops. It is Mister
Andrews. He rolls down the window.
It’s almost dark. Fiona and Sammy are sitting apart by the
side of the road. The Morris Minor stops. It is Mister
Andrews. He rolls down the window.
MISTER ANDREWS
Hop in and I’ll give you a run
home. You can tell me all about it.
Hop in and I’ll give you a run
home. You can tell me all about it.
Fiona gets up and walks towards the car.
FIONA
(to Sammy)
You coming?
(to Sammy)
You coming?
22 INT. MISTER ANDREWS’ LOUNGE – DAY 22
Mister Andrews is standing by the fire place.
Mister Andrews is standing by the fire place.
MISTER ANDREWS
You’re looking a wee bit grubby
today, Brenda love.
You’re looking a wee bit grubby
today, Brenda love.
Brenda’s ashes are in an urn by the fire place. Mister
Andrews dusts the urn. Satisfied, he goes back to looking out
the window.
Andrews dusts the urn. Satisfied, he goes back to looking out
the window.
MISTER ANDREWS (CONT’D)
Now you’re ready to face the world.
Now you’re ready to face the world.
Mrs McMillan comes out of Sammy’s house and crosses the
street towards Mister Andrews’ place. For the first time ever
Mrs McMillan waves to him. He waves back.
Mister Andrews smiles.
street towards Mister Andrews’ place. For the first time ever
Mrs McMillan waves to him. He waves back.
Mister Andrews smiles.
BLACK SCREEN
CAPTION: “On March 3rd 1960, Elvis Presley landed, for a few
hours, at Prestwick Airport on his way home from Germany. It
was the only time he ever visited the UK.”
THE ENDCAPTION: “On March 3rd 1960, Elvis Presley landed, for a few
hours, at Prestwick Airport on his way home from Germany. It
was the only time he ever visited the UK.”
bobby stevenson 2014
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